THE ELEPHANT MAN is a must see-show mostly because of the amazing work of the lead actor. The physical transformation Giles Davies makes on stage in…Read More
Kimber Lee’s BROWNSVILLE SONG (B Side for Tray) is precisely the type of show Ensemble Theatre and director Lynn Meyers is drawn to. It’s contemporary,…Read More
Sometimes pleasant is quite fulfilling. If you’ve read this blog, you’ve probably ascertained that I’m drawn to shows that tell good stories, reflect intense human…Read More
Ole Bill sure could have used an editor. It’s been awhile since I’ve read ROMEO AND JULIET, probably not since my freshman year of high…Read More
I hope people don’t start referring to DISGRACED as “the Muslim play.” It is certainly about a Muslim and it certainly has lots of references…Read More
The national tour of THE SOUND OF MUSIC is an unexpected surprise, at least for me. When I think of this classic Rodgers and Hammerstein, it’s…Read More
I’ve never done this before but I feel compelled to write an addendum to my review of CCM and Know Theatre’s RUNAWAYS after seeing it…Read More
Sometimes you admire a show for the subtlety of the direction. Shows with lots of plot and well-developed characters need a masterful, yet invisible directorial…Read More
I’m so grateful for Miranda McGee. She’s a wonderful actress (and a very nice person) and for those reasons alone I always appreciate her presence…Read More
Four for four. I saw four productions last week. All four of them were named for their lead character, in a bit of irony. And…Read More