• REVIEW: To Kill A Mockingbird – Broadway Across America Cincinnati
  • BROADWAY REVIEW: “Take Me Out”
  • Doubly Great – I Shall Not Be Moved & Your Negro Tour Guide
  • REVIEW: Clybourne Park
  • REVIEW: Fortune
  • REVIEW: Too Much Light Makes the Baby Go Blind
  • REVIEW: Lady Windermere’s Fan
  • FRINGE REVIEW: seXmas Cards
  • REVIEW: The Wolves
  • FRINGE REVIEW – ZOINKS! – NOT TO BE MISSED
  • REVIEW: Association of Controlled Dreamers
  • REVIEW: Skeleton Crew
  • Full Circle: A Story of Mentorship and Collaboration
  • REVIEW: The Thanksgiving Play
  • CCM’s Transmigration an Energetic Festival of New Works!
  • REVIEW: A Doll’s House, Part 2
  • REVIEW: Our Country’s Good
  • REVIEW: Ripcord
  • REVIEW: St. Nicholas
  • REVIEW: Eurydice
  • REVIEW: Mr. Burns – a post electric play
  • REVIEW: Misery
  • THE DROWNING GIRLS playing through Monday in Northside!
  • REVIEW: Jalz
  • REVIEW: The Complete Works of William Shakespeare (Abridged)
  • FRINGE REVIEW: One More Bad Thing
  • FRINGE REVIEW: The Mountains Did Quake, The Hillsides Did Tremble
  • FRINGE REVIEW: of Monster Descent
  • REVIEW: Noises Off
  • Monday Matinee 5.7.18 – This Week in Cincinnati Theatre
  • REVIEW: A Great Wilderness
  • REVIEW: Ken Ludwig’s Treasure Island
  • Monday Matinee 4.23.18 – This Week in Cincinnati Theatre
  • REVIEW: Cat on a Hot Tin Roof
  • REVIEW: Sooner/Later
  • REVIEW: Red Velvet
  • REVIEW: Transmigration 2018
  • REVIEW: Buried Child
  • REVIEW: The Pillowman
  • REVIEW: The Humans
  • REVIEW: Poor Behavior
  • REVIEW: The Color of the Leaves
  • REVIEW: The House
  • REVIEW: The Earth is Flat
  • REVIEW: The Curious Incident of the Dog in the Night-Time
  • REVIEW: Dracula
  • REVIEW: This Random World
  • REVIEW: Frankenstein
  • REVIEW: Hamlet
  • REVIEW: Typhoid Mary
  • REVIEW: Guest Artist
  • REVIEW – Cannibal Galaxy: A Love Story
  • REVIEW: A Midsummer Night’s Dream
  • THEATER OF WAR Opens a Dialogue about the Impact of Battle on Soldiers and Their Families
  • REVIEW: This Is Our Youth
  • FRINGE REVIEW: Invisible Girl
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  • FRINGE REFLECTION: Is That All There Is?
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  • FRINGE REVIEW: Pet Fish Are Made For . . .
  • I’m Feeling Fringe-y
  • REVIEW: Erma Bombeck – At Wit’s End
  • REVIEW: Master Harold and the Boys
  • REVIEW: On Golden Pond
  • REVIEW: Bloomsday
  • REVIEW: A Raisin in the Sun
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  • REVIEW: Rabbit Hole
  • REVIEW: Jane Eyre
  • REVIEW: When We Were Young and Unafraid
  • REVIEW: This Wide Night
  • REVIEW: Her Naked Skin
  • REVIEW: Summerland
  • REVIEW: 26 Pebbles
  • REVIEW: Dragon Play
  • REVIEW: A Christmas Carol
  • REVIEW: The Second City’s Holidazed and Confused Revue
  • REVIEW: The Diviners
  • REVIEW: Ma Rainey’s Black Bottom
  • REVIEW: Jitney
  • REVIEW: The Elephant Man
  • REVIEW: Brownsville Song (B Side for Tray)
  • REVIEW: Romeo and Juliet
  • REVIEW: Disgraced
  • REVIEW: The Road Through Damascus
  • REVIEW: The Diary of Anne Frank
  • REVIEW: A Prayer for Owen Meany
  • REVIEW: The Legend of Georgia McBride
  • REVIEW: Slut Shaming
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  • It’s Opening Night . . .
  • Cincinnati LAB Theatre’s 2016 Festival of New Works Coming in August
  • REVIEW: The Fisherman’s Wife
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  • FRINGE REVIEW: The Gospel of Fat Kathy
  • FRINGE REVIEW: FURLESQUE
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  • WRECKED: A Play Reading That Did Me In
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  • REVIEW: The Shape of Things
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  • Still Time to See EQUUS
  • Transmigration 2016: Another Successful Festival
  • REVIEW: To Kill a Mockingbird
  • Local Director to Stage EQUUS at Miami-Hamilton
  • REVIEW: Emma
  • REVIEW: Begotten
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  • REVIEW: Betrayal
  • REVIEW: Ah, Wilderness!
  • REVIEW: The Revolutionists
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  • REVIEW: Prelude to a Kiss
  • REVIEW: Native Gardens
  • REVIEW: Grounded
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  • REVIEW: Mockingbird
  • REVIEW: This Is Our Youth
  • REVIEW: A Christmas Carol
  • REVIEW: The Aliens
  • CCM Drama Hosts Play Reading Series
  • REVIEW: Relatively Speaking
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  • REVIEW: The Mystery Plays
  • REVIEW: Mad River Rising
  • REVIEW: The Norwegians
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  • Frankie and Johnny in the Clair de Lune
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  • Monthly Matinee: September 2015
  • Cincinnati LAB Theatre Promotes Collaboration and New Works
  • REVIEW: Lysistrata
  • REVIEW: ONE MAN, TWO GUVNORS
  • FRINGE REVIEW: Love and Information
  • FRINGE REVIEW: Fixate
  • FRINGE REVIEW: Occupational Pleasures
  • FRINGE REVIEW: Shirtzencockle
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  • Five Reasons to See VANYA, SONIA, MASHA, & SPIKE
  • REVIEW: You’re Welcome: A Cycle of Bad Plays
  • REVIEW: Taking Shakespeare
  • REVIEW: Xavier’s Spring Awakening
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  • Know Theatre’s SERIALS Adds More Intrigue to the Concept
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  • HEARTS LIKE FISTS Now Playing at Know Theatre
  • REVIEW: Buzzer
  • REVIEW: Detroit ’67
  • REVIEW: Peter and the Star Catcher
  • Transmigration 2015 – Adventurous Theatre
  • REVIEW: Vanya and Sonia and Masha and Spike
  • Five Things I Learned From CSC’s “Hamlet”
  • Still Seats Left for Tonight’s Opening of “Every Christmas Story Ever Told (and Then Some)
  • A Klingon Christmas Carol – Special Pricing Tonight!
  • One More Chance to See “The Crucible” on Sunday
  • Looking Forward . . .
  • Klingons love theatre, and so do you!
  • Local Schools Producing Classic Theater This Fall
  • See “Light Sensitive” This Weekend
  • Good Will Hunting
The Sappy Critic

FRINGE REVIEW: Pet Fish Are Made For . . .

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Now this is a good way to kick things off!  With perhaps the longest title in the Festival, pet fish are for killing by accident somehow it’s really quite inevitable, tells the story of love and loss among three female roommates.  Marla (Erin Ward) is depressed about her relationship with Petra (also played by Erin Ward).  Marla is depressed, likely all the time, but especially right now because she knows things are over with Petra but neither of them will call things off.  Tabitha (Sarah Durham) has been with Marc (also played by Sara Durham) since she was 14; she’s bored but unwilling to break up.  Their roommate, Antioch (Candice Handy) – who’s most important relationship is the one she has with grad school – has had enough of it and takes matters into her own hands.

This script from Sara Tripp is clever and cute, if not all that “Fringe-y.”  It’s quick-witted and many in the audience seemed to relate well to the female-centric and generationally relevant references throughout the show.  Director Shelby Becker moves her cast around the echoing stage well, though it is sometimes hard to see the action from certain vantage points in the venue.  But Tripp should consider cutting her final scene; there’s enough of an impact without the tag and the show runs right up against the sixty-minute mark.

The actresses get to stretch themselves, playing both the female and male counterparts in each relationship. They are very talented and have great range.  Ward has long been one of my favorites; Durham, a CCM student, makes interesting choices that work very well and Handy has charisma for days.  Overall the production is funny, but also smart and I enjoyed myself.  I think you will too.

pet fish are for killing by accident somehow it’s really quite inevitable runs again on the following dates at the OTR Community Church as part of the Cincinnati Fringe Festival. 

  • Jun 5, 2017 at 06:30 pm (Mon)
  • Jun 7, 2017 at 06:30 pm (Wed)
  • Jun 9, 2017 at 09:00 pm (Fri)
  • Jun 10, 2017 at 04:45 pm (Sat)

 

Click here for more information.

 

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