• REVIEW: To Kill A Mockingbird – Broadway Across America Cincinnati
  • BROADWAY REVIEW: “Take Me Out”
  • Doubly Great – I Shall Not Be Moved & Your Negro Tour Guide
  • REVIEW: Clybourne Park
  • REVIEW: Fortune
  • REVIEW: Too Much Light Makes the Baby Go Blind
  • REVIEW: Lady Windermere’s Fan
  • FRINGE REVIEW: seXmas Cards
  • REVIEW: The Wolves
  • FRINGE REVIEW – ZOINKS! – NOT TO BE MISSED
  • REVIEW: Association of Controlled Dreamers
  • REVIEW: Skeleton Crew
  • Full Circle: A Story of Mentorship and Collaboration
  • REVIEW: The Thanksgiving Play
  • CCM’s Transmigration an Energetic Festival of New Works!
  • REVIEW: A Doll’s House, Part 2
  • REVIEW: Our Country’s Good
  • REVIEW: Ripcord
  • REVIEW: St. Nicholas
  • REVIEW: Eurydice
  • REVIEW: Mr. Burns – a post electric play
  • REVIEW: Misery
  • THE DROWNING GIRLS playing through Monday in Northside!
  • REVIEW: Jalz
  • REVIEW: The Complete Works of William Shakespeare (Abridged)
  • FRINGE REVIEW: One More Bad Thing
  • FRINGE REVIEW: The Mountains Did Quake, The Hillsides Did Tremble
  • FRINGE REVIEW: of Monster Descent
  • REVIEW: Noises Off
  • Monday Matinee 5.7.18 – This Week in Cincinnati Theatre
  • REVIEW: A Great Wilderness
  • REVIEW: Ken Ludwig’s Treasure Island
  • Monday Matinee 4.23.18 – This Week in Cincinnati Theatre
  • REVIEW: Cat on a Hot Tin Roof
  • REVIEW: Sooner/Later
  • REVIEW: Red Velvet
  • REVIEW: Transmigration 2018
  • REVIEW: Buried Child
  • REVIEW: The Pillowman
  • REVIEW: The Humans
  • REVIEW: Poor Behavior
  • REVIEW: The Color of the Leaves
  • REVIEW: The House
  • REVIEW: The Earth is Flat
  • REVIEW: The Curious Incident of the Dog in the Night-Time
  • REVIEW: Dracula
  • REVIEW: This Random World
  • REVIEW: Frankenstein
  • REVIEW: Hamlet
  • REVIEW: Typhoid Mary
  • REVIEW: Guest Artist
  • REVIEW – Cannibal Galaxy: A Love Story
  • REVIEW: A Midsummer Night’s Dream
  • THEATER OF WAR Opens a Dialogue about the Impact of Battle on Soldiers and Their Families
  • REVIEW: This Is Our Youth
  • FRINGE REVIEW: Invisible Girl
  • FRINGE REVIEW: Home
  • FRINGE REVIEW: Gen & Mabel
  • FRINGE REVIEW: God of Obsidian
  • FRINGE REVIEW: Balls of Yarns
  • FRINGE REVIEW: Busted Bumpers and Other Metaphors
  • FRINGE REFLECTION: Is That All There Is?
  • FRINGE REVIEW: The Disappearance of Nicole Jacobs, Part 1 – The Sister
  • FRINGE REVIEW: Pet Fish Are Made For . . .
  • I’m Feeling Fringe-y
  • REVIEW: Erma Bombeck – At Wit’s End
  • REVIEW: Master Harold and the Boys
  • REVIEW: On Golden Pond
  • REVIEW: Bloomsday
  • REVIEW: A Raisin in the Sun
  • REVIEW: All the Roads Home
  • REVIEW: Rabbit Hole
  • REVIEW: Jane Eyre
  • REVIEW: When We Were Young and Unafraid
  • REVIEW: This Wide Night
  • REVIEW: Her Naked Skin
  • REVIEW: Summerland
  • REVIEW: 26 Pebbles
  • REVIEW: Dragon Play
  • REVIEW: A Christmas Carol
  • REVIEW: The Second City’s Holidazed and Confused Revue
  • REVIEW: The Diviners
  • REVIEW: Ma Rainey’s Black Bottom
  • REVIEW: Jitney
  • REVIEW: The Elephant Man
  • REVIEW: Brownsville Song (B Side for Tray)
  • REVIEW: Romeo and Juliet
  • REVIEW: Disgraced
  • REVIEW: The Road Through Damascus
  • REVIEW: The Diary of Anne Frank
  • REVIEW: A Prayer for Owen Meany
  • REVIEW: The Legend of Georgia McBride
  • REVIEW: Slut Shaming
  • REVIEW: Thom Pain
  • REVIEW: Horizons of Gold
  • It’s Opening Night . . .
  • Cincinnati LAB Theatre’s 2016 Festival of New Works Coming in August
  • REVIEW: The Fisherman’s Wife
  • REVIEW: The Star Spangled Girl
  • FRINGE REVIEW: The 4th Graders Present an Unnamed Love-Suicide
  • FRINGE REVIEW: My Left Teeth
  • FRINGE REVIEW: The Gospel of Fat Kathy
  • FRINGE REVIEW: FURLESQUE
  • FRINGE REVIEW: We Did It, Girl!
  • FRINGE REVIEW: Cessna
  • FRINGE REVIEW: Naked Strangers
  • FRINGE REVIEW: The Midnight Express
  • WRECKED: A Play Reading That Did Me In
  • REVIEW: Bad Dates
  • REVIEW: Satchel Paige and the Kansas City Swing
  • REVIEW: The Shape of Things
  • REVIEW: Mothers and Sons
  • REVIEW: Annapurna
  • Still Time to See EQUUS
  • Transmigration 2016: Another Successful Festival
  • REVIEW: To Kill a Mockingbird
  • Local Director to Stage EQUUS at Miami-Hamilton
  • REVIEW: Emma
  • REVIEW: Begotten
  • REVIEW: Miss Julie
  • REVIEW: Betrayal
  • REVIEW: Ah, Wilderness!
  • REVIEW: The Revolutionists
  • REVIEW: The Glass Menagerie
  • REVIEW: Prelude to a Kiss
  • REVIEW: Native Gardens
  • REVIEW: Grounded
  • REVIEW: The Realistic Joneses
  • REVIEW: Mockingbird
  • REVIEW: This Is Our Youth
  • REVIEW: A Christmas Carol
  • REVIEW: The Aliens
  • CCM Drama Hosts Play Reading Series
  • REVIEW: Relatively Speaking
  • REVIEW: Steel Magnolias
  • REVIEW: The Mystery Plays
  • REVIEW: Mad River Rising
  • REVIEW: The Norwegians
  • REVIEW: Buyer and Cellar
  • REVIEW: Sex With Strangers
  • Frankie and Johnny in the Clair de Lune
  • REVIEW: Luna Gale
  • Monthly Matinee: September 2015
  • Cincinnati LAB Theatre Promotes Collaboration and New Works
  • REVIEW: Lysistrata
  • REVIEW: ONE MAN, TWO GUVNORS
  • FRINGE REVIEW: Love and Information
  • FRINGE REVIEW: Fixate
  • FRINGE REVIEW: Occupational Pleasures
  • FRINGE REVIEW: Shirtzencockle
  • FRINGE REVIEW: Shelter
  • FRINGE REVIEW: Mouthy Bitch
  • REVIEW: Circle Mirror Transformation
  • REVIEW: Three Days of Rain
  • REVIEW: Outside Mullingar
  • Five Reasons to See VANYA, SONIA, MASHA, & SPIKE
  • REVIEW: You’re Welcome: A Cycle of Bad Plays
  • REVIEW: Taking Shakespeare
  • REVIEW: Xavier’s Spring Awakening
  • REVIEW: Death and the Maiden
  • REVIEW: Race
  • Know Theatre’s SERIALS Adds More Intrigue to the Concept
  • BIRD BRAIN is a Charming Must-See
  • Five Thoughts About THE TAMING OF THE SHREW
  • HEARTS LIKE FISTS Now Playing at Know Theatre
  • REVIEW: Buzzer
  • REVIEW: Detroit ’67
  • REVIEW: Peter and the Star Catcher
  • Transmigration 2015 – Adventurous Theatre
  • REVIEW: Vanya and Sonia and Masha and Spike
  • Five Things I Learned From CSC’s “Hamlet”
  • Still Seats Left for Tonight’s Opening of “Every Christmas Story Ever Told (and Then Some)
  • A Klingon Christmas Carol – Special Pricing Tonight!
  • One More Chance to See “The Crucible” on Sunday
  • Looking Forward . . .
  • Klingons love theatre, and so do you!
  • Local Schools Producing Classic Theater This Fall
  • See “Light Sensitive” This Weekend
  • Good Will Hunting
The Sappy Critic

REVIEW: The Secret Garden

0

When this CCM season was announced, there was one show that made me groan under my breath.  THE SECRET GARDEN, while a pleasant story with a soaring score and the opportunity for gorgeous sets and costumes, just kind of bored me the last time I saw it.  I remember liking the production more than I thought I would have but never having a desire to see it staged again.

And then CCM puts it squarely in what I call my “birthday spot.”  The spring semester mainstage show typically opens on or around my birthday.  It figures that the year that the only present I got for turning 44 besides food poisoning would be a show that I didn’t care to see.

Then Connor Gallagher, the choreographer of Broadway’s “Beetlejuice,” was announced as the director and choreographer. I became a bit more intrigued.  What would someone who’s currently working professionally at the highest level do with the talent and resources of CCM?  Even in a show like this, would he maximize the potential?  Would he genuinely showcase his alma mater the way it should be?

He did.  Tenfold, in fact.  I don’t remember walking away from a show this impressed in awhile.

THE SECRET GARDEN, based on the classic novel by Frances Hodgson Burnett, is the story of “Mary Lennox,” an orphan who is sent to live with her uncle in a big dark house with lots of secrets, including an abandoned garden that used to tended by her late aunt Lily.  She makes friends with the house staff – and others – and brings life and light back to the place and the people who inhabit it.  It’s charming.

“Mary” is played by Zoe Mezoff, and if you told me she was someone they recruited from CCM Prep (a program that trains young people in musical theatre), I would have believed you.  Playing young children is hard; the sweet spot between over-the-top and believable is a tight one.  Mezoff’s performance was perfect.  Her mannerisms, her body language – and of course, her singing – were Broadway-level quality.

A fantastic cast of characters surrounds her.  Delaney Guyer’s “Lily” was exquisite, with rich soprano vocals that induced goosebumps.  Madison Hagler and Sam Pickart each embodied the Craven men with spectacular voices and tormented pain.  Ana Chase Lanier’s “Martha” is spunky and showed off her vocal prowess on “Hold On,” while Kurtis Bradley Brown (“Dickon”) lit up the room with his energetic rendition of “Winter’ on the Wing.”  Jenna Bienvenue transformed into the role of “Colin” convincingly and served as some of the best comic relief of the somewhat somber story.  As much as she and Mezoff morphed into the younger characters, those who played older did so as realistically.  Britta Cowan (“Mrs. Medlock”), Jamie Goodson (“Mrs. Winthrop”), and Nick Berringer (“Ben”) also shone brightly.  Other standouts in the large ensemble included Matt Copley, Mikayla Renfrow, Elijah King, and Bailee Endebrock. At the same time, the entire company hit every mark and accentuated the grander vision by director Gallagher.

His staging of the production was fluid, the movement was captivating, and the use of the platform at the front of the orchestra pit as a playing space was inspired.  His influence cannot be overstated.  The gorgeous set design by Joshua E. Gallagher is one of the best created for this gigantic stage.  Evan Carlson’s lighting added to the story, while Zachory Ivans sound design was textured -and better executed than most CCM productions I’ve seen.  Jeremy Robins Lyons musical direction was out of this world, with a luscious orchestra and magnificent vocals throughout the show.  Dean Mogle’s amazing costumes lived up to his legendary reputation, and Marnee Porter’s wig and make-up design kept us in the time and place remarkably well.

I can’t wait for CCM to announce next year’s season; this time, I promise not to groan no matter what shows are selected.  After all, this one blew me away and I don’t even like it!

CCM’s next musical will be “Bright Star,” directed by Katie Johannigman, opening April 2nd. Tickets and more information are available here.

Creative Team
• Connor Gallagher, director and choreographer
• Jeremy Robin Lyons*, musical director
• Joshua E. Gallagher, scenic designer
• Evan Carlson*, lighting designer
• Zach Buscher* and Seth Howard*, prop masters
• Andrew Volzer*, production stage manager
• Dean Mogle, costume designer
• Marnee Porter*, wig and make-up designer
• Zachory Ivans*, sound designer
* CCM Student

CAST

• Zoe Mezoff as Mary Lennox
• Delaney Guyer as Lily
• Madison Hagler as Archibald Craven
• Sam Pickart as Dr. Neville Craven
• Anna Chase Lanier as Martha
• Kurtis Bradley Brown as Dickon
• Jenna Bienvenue as Colin
• Britta Cowan as Mrs. Medlock
• Jamie Goodson as Mrs. Winthrop/Jane
• Nick Berninger as Ben
• Christian Feliciano as Fakir
• Sofie Flores as Ayah
• Mikayla Renfrow as Rose Lennox
• Matt Copley as Captain Albert Lennox
• Michael Canu as Lt. Peter Wright
• Elijah King as Lt. Ian Shaw
• Hank Von Kolnitz as Major Holmes
• Veronica Stern as Claire Holmes
• Jack Brewer as Major Shelley
• Zoë Grolnick as Mrs. Shelley
• Bailee Endebrock as Alice
• Chip Hawver as William
• Cassie Maurer as Betsy
• David Littlefield as Timothy
• Swings: Sasha Spitz and Cole Harksen
• Dance Captains: Michael Canu and Bailee Endebrock

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Tumblr (Opens in new window)

Related

Tags: beetlejuice, Broadway, ccm, connor gallagher, musical theatre, the secret garden