• REVIEW: To Kill A Mockingbird – Broadway Across America Cincinnati
  • BROADWAY REVIEW: “Take Me Out”
  • Doubly Great – I Shall Not Be Moved & Your Negro Tour Guide
  • REVIEW: Clybourne Park
  • REVIEW: Fortune
  • REVIEW: Too Much Light Makes the Baby Go Blind
  • REVIEW: Lady Windermere’s Fan
  • FRINGE REVIEW: seXmas Cards
  • REVIEW: The Wolves
  • FRINGE REVIEW – ZOINKS! – NOT TO BE MISSED
  • REVIEW: Association of Controlled Dreamers
  • REVIEW: Skeleton Crew
  • Full Circle: A Story of Mentorship and Collaboration
  • REVIEW: The Thanksgiving Play
  • CCM’s Transmigration an Energetic Festival of New Works!
  • REVIEW: A Doll’s House, Part 2
  • REVIEW: Our Country’s Good
  • REVIEW: Ripcord
  • REVIEW: St. Nicholas
  • REVIEW: Eurydice
  • REVIEW: Mr. Burns – a post electric play
  • REVIEW: Misery
  • THE DROWNING GIRLS playing through Monday in Northside!
  • REVIEW: Jalz
  • REVIEW: The Complete Works of William Shakespeare (Abridged)
  • FRINGE REVIEW: One More Bad Thing
  • FRINGE REVIEW: The Mountains Did Quake, The Hillsides Did Tremble
  • FRINGE REVIEW: of Monster Descent
  • REVIEW: Noises Off
  • Monday Matinee 5.7.18 – This Week in Cincinnati Theatre
  • REVIEW: A Great Wilderness
  • REVIEW: Ken Ludwig’s Treasure Island
  • Monday Matinee 4.23.18 – This Week in Cincinnati Theatre
  • REVIEW: Cat on a Hot Tin Roof
  • REVIEW: Sooner/Later
  • REVIEW: Red Velvet
  • REVIEW: Transmigration 2018
  • REVIEW: Buried Child
  • REVIEW: The Pillowman
  • REVIEW: The Humans
  • REVIEW: Poor Behavior
  • REVIEW: The Color of the Leaves
  • REVIEW: The House
  • REVIEW: The Earth is Flat
  • REVIEW: The Curious Incident of the Dog in the Night-Time
  • REVIEW: Dracula
  • REVIEW: This Random World
  • REVIEW: Frankenstein
  • REVIEW: Hamlet
  • REVIEW: Typhoid Mary
  • REVIEW: Guest Artist
  • REVIEW – Cannibal Galaxy: A Love Story
  • REVIEW: A Midsummer Night’s Dream
  • THEATER OF WAR Opens a Dialogue about the Impact of Battle on Soldiers and Their Families
  • REVIEW: This Is Our Youth
  • FRINGE REVIEW: Invisible Girl
  • FRINGE REVIEW: Home
  • FRINGE REVIEW: Gen & Mabel
  • FRINGE REVIEW: God of Obsidian
  • FRINGE REVIEW: Balls of Yarns
  • FRINGE REVIEW: Busted Bumpers and Other Metaphors
  • FRINGE REFLECTION: Is That All There Is?
  • FRINGE REVIEW: The Disappearance of Nicole Jacobs, Part 1 – The Sister
  • FRINGE REVIEW: Pet Fish Are Made For . . .
  • I’m Feeling Fringe-y
  • REVIEW: Erma Bombeck – At Wit’s End
  • REVIEW: Master Harold and the Boys
  • REVIEW: On Golden Pond
  • REVIEW: Bloomsday
  • REVIEW: A Raisin in the Sun
  • REVIEW: All the Roads Home
  • REVIEW: Rabbit Hole
  • REVIEW: Jane Eyre
  • REVIEW: When We Were Young and Unafraid
  • REVIEW: This Wide Night
  • REVIEW: Her Naked Skin
  • REVIEW: Summerland
  • REVIEW: 26 Pebbles
  • REVIEW: Dragon Play
  • REVIEW: A Christmas Carol
  • REVIEW: The Second City’s Holidazed and Confused Revue
  • REVIEW: The Diviners
  • REVIEW: Ma Rainey’s Black Bottom
  • REVIEW: Jitney
  • REVIEW: The Elephant Man
  • REVIEW: Brownsville Song (B Side for Tray)
  • REVIEW: Romeo and Juliet
  • REVIEW: Disgraced
  • REVIEW: The Road Through Damascus
  • REVIEW: The Diary of Anne Frank
  • REVIEW: A Prayer for Owen Meany
  • REVIEW: The Legend of Georgia McBride
  • REVIEW: Slut Shaming
  • REVIEW: Thom Pain
  • REVIEW: Horizons of Gold
  • It’s Opening Night . . .
  • Cincinnati LAB Theatre’s 2016 Festival of New Works Coming in August
  • REVIEW: The Fisherman’s Wife
  • REVIEW: The Star Spangled Girl
  • FRINGE REVIEW: The 4th Graders Present an Unnamed Love-Suicide
  • FRINGE REVIEW: My Left Teeth
  • FRINGE REVIEW: The Gospel of Fat Kathy
  • FRINGE REVIEW: FURLESQUE
  • FRINGE REVIEW: We Did It, Girl!
  • FRINGE REVIEW: Cessna
  • FRINGE REVIEW: Naked Strangers
  • FRINGE REVIEW: The Midnight Express
  • WRECKED: A Play Reading That Did Me In
  • REVIEW: Bad Dates
  • REVIEW: Satchel Paige and the Kansas City Swing
  • REVIEW: The Shape of Things
  • REVIEW: Mothers and Sons
  • REVIEW: Annapurna
  • Still Time to See EQUUS
  • Transmigration 2016: Another Successful Festival
  • REVIEW: To Kill a Mockingbird
  • Local Director to Stage EQUUS at Miami-Hamilton
  • REVIEW: Emma
  • REVIEW: Begotten
  • REVIEW: Miss Julie
  • REVIEW: Betrayal
  • REVIEW: Ah, Wilderness!
  • REVIEW: The Revolutionists
  • REVIEW: The Glass Menagerie
  • REVIEW: Prelude to a Kiss
  • REVIEW: Native Gardens
  • REVIEW: Grounded
  • REVIEW: The Realistic Joneses
  • REVIEW: Mockingbird
  • REVIEW: This Is Our Youth
  • REVIEW: A Christmas Carol
  • REVIEW: The Aliens
  • CCM Drama Hosts Play Reading Series
  • REVIEW: Relatively Speaking
  • REVIEW: Steel Magnolias
  • REVIEW: The Mystery Plays
  • REVIEW: Mad River Rising
  • REVIEW: The Norwegians
  • REVIEW: Buyer and Cellar
  • REVIEW: Sex With Strangers
  • Frankie and Johnny in the Clair de Lune
  • REVIEW: Luna Gale
  • Monthly Matinee: September 2015
  • Cincinnati LAB Theatre Promotes Collaboration and New Works
  • REVIEW: Lysistrata
  • REVIEW: ONE MAN, TWO GUVNORS
  • FRINGE REVIEW: Love and Information
  • FRINGE REVIEW: Fixate
  • FRINGE REVIEW: Occupational Pleasures
  • FRINGE REVIEW: Shirtzencockle
  • FRINGE REVIEW: Shelter
  • FRINGE REVIEW: Mouthy Bitch
  • REVIEW: Circle Mirror Transformation
  • REVIEW: Three Days of Rain
  • REVIEW: Outside Mullingar
  • Five Reasons to See VANYA, SONIA, MASHA, & SPIKE
  • REVIEW: You’re Welcome: A Cycle of Bad Plays
  • REVIEW: Taking Shakespeare
  • REVIEW: Xavier’s Spring Awakening
  • REVIEW: Death and the Maiden
  • REVIEW: Race
  • Know Theatre’s SERIALS Adds More Intrigue to the Concept
  • BIRD BRAIN is a Charming Must-See
  • Five Thoughts About THE TAMING OF THE SHREW
  • HEARTS LIKE FISTS Now Playing at Know Theatre
  • REVIEW: Buzzer
  • REVIEW: Detroit ’67
  • REVIEW: Peter and the Star Catcher
  • Transmigration 2015 – Adventurous Theatre
  • REVIEW: Vanya and Sonia and Masha and Spike
  • Five Things I Learned From CSC’s “Hamlet”
  • Still Seats Left for Tonight’s Opening of “Every Christmas Story Ever Told (and Then Some)
  • A Klingon Christmas Carol – Special Pricing Tonight!
  • One More Chance to See “The Crucible” on Sunday
  • Looking Forward . . .
  • Klingons love theatre, and so do you!
  • Local Schools Producing Classic Theater This Fall
  • See “Light Sensitive” This Weekend
  • Good Will Hunting
The Sappy Critic

Monday Matinee 5.14.18 – This Week in Cincinnati Theatre

0

As the season continues to wind down (and as we anticipate the annual Cincinnati Fringe Festival), today we’ll focus on Cincinnati Shakespeare’s final production of the spring and preview the shows in next year’s local university seasons.

Justin McCombs and Brooke Steele appear in Cincinnati Shakespeare Company’s NOISES OFF opening this week.

This Friday, Cincinnati Shakespeare Company will open NOISES OFF, directed by Ed Stern.  “The drama onstage is nothing compared to the drama backstage in Michael Frayn’s hysterical, fast-paced British sex farce about putting on a hysterical, fast-paced British sex farce. Lines, props, and pants are dropped in equal proportion as the bedraggled cast struggles valiantly to keep their production from going entirely off the rails. Don’t miss this fall-out-of-your-chair-funny production, where the sardines and the slamming doors abound.”  With Brian Isaac Phillips appearing on stage for this (along with Dale Hodges, Joneal Joplin, Jeremy Dubin, Kelly Mengelkoch, Justin McCombs, and Brooke Steele) I expect hijinks of the best possible kind.  I’ll see it on Friday night.  Click here for tickets and more information.

As most of my readers know, I’m a huge fan of the productions and students at our local universities.  UC-CCM, Xavier, NKU, Miami, and Wright State University all produce interesting plays and musicals and the passion the students and faculty pour into these productions is inspiring.

Next year, the University of Cincinnati-College Conservatory of Music’s MainStage season is going to be stunning.  While I don’t typically cover opera, I am looking forward to the Vince DeGeorge directed THE TURN OF THE SCREW in the fall.  And Aubrey Berg’s THE HUNCHBACK OF NOTRE DAME is already giving me chills.  Susan Felder also returns to the MainStage (her HAMLET was the best Shakespeare I’ve seen in awhile) with OUR COUNTRY’S GOOD.  Here’s a list what’s coming to the MainStage (the Studio Series will be officially announced later):

CCM:

The Government Inspector (Acting) dir. Richard Hess
Guys and Dolls (Mustical Theatre) dir. Diane Lala
The Turn of the Screw (Opera) dir. Vince DeGeorge
Birthday Variations (Dance) dir. Qi Jang
Our Country’s Good (Acting) dir. Susan Felder
The Hunchback of Notre Dame (Musical Theatre) dir. Aubrey Berg
La Clemenza di Tito (Opera) dir. Robin Guarino
Cinderella (dance) dir. Deirdre Carberry and Michael Tevlin and Karen Russo Burke, choreographer

Subscription packages for new subscribers go on sale May 2, 2018, with packages ranging in price from $81-$192. Single tickets go on sale beginning Sept. 10, 2018  To order subscriptions, contact the CCM Box Office at 513-556-4183 or boxoff@uc.edu.

Pamela Myers will direct COMPANY at Xavier. She was nominated for a Tony for her role in the original Broadway production.

Xavier University, under the leadership of Stephen Skiles, continues to be the most ambitious program in the tri-state and next season is no different.  From exciting new works, opportunities for both current students and graduates of the program to continue to hone their craft, Skiles has a knack for producing great theatre while gifting his students with unique educational opportunities.  I’m thrilled that Pam Myers, Tony nominee for the original production of COMPANY will direct the show on Xavier’s stage.  Those lucky, lucky students. Click here for information.

Xavier:

Mr. Burns: A Post-Electric Play (dir. by Stephen Skiles)
Urinetown (dir. by Stephen Skiles)
Dog Sees God: Confessions of a Teenage Blockhead (dir. by Hannah Sgambellone)
Antigone (adapted by Griff Bludworth, dir. by Ed Stern)
Romeo and Juliet (dir. by Craig Wesley Divino)
Next to Normal (dir. by Stephen Skiles)
The Vagina Monologues (dir. by Ellie Conniff)
TBA
Company (directed by Pamela Myers)

Northern Kentucky University, which boasts the largest number of theatre majors will present a varied season.  The reputation of NKU’s program is strong.  I’m going to try to catch more of their work this year, including the musical BIG FISH.  Click here for information on subscribing.

NKU:

Big Fish
Marisol
Pride and Prejudice
Cabaret

Finally, Wright State University has announced their theatre season via USPS mailer. (Many of their rabid subscriber base probably doesn’t rely so heavily on the Internet).  WSU will always have a special place in my heart as it is where I was introduced to theatre early in my development as a theatre advocate.  I’ve always said that at Wright State, I never left a show without feeling something. I’ve not been in a few years; with a season like this it might be time to revisit!  Click here for information on WSU.

WSU:

Curious Incident of the Dog in the Night-Time
Crazy For You
Mother Courage and Her Children
A Little Night Music
The Liar (Herbst Theatre)
If/Then (Herbs Theatre)

That’s it for this week.  Make sure you do something to support the arts this week!

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Tumblr (Opens in new window)

Related

Tags: ccm, cincinnati shakespeare company, northern Kentucky university, wright state, xavier