• REVIEW: To Kill A Mockingbird – Broadway Across America Cincinnati
  • BROADWAY REVIEW: “Take Me Out”
  • Doubly Great – I Shall Not Be Moved & Your Negro Tour Guide
  • REVIEW: Clybourne Park
  • REVIEW: Fortune
  • REVIEW: Too Much Light Makes the Baby Go Blind
  • REVIEW: Lady Windermere’s Fan
  • FRINGE REVIEW: seXmas Cards
  • REVIEW: The Wolves
  • FRINGE REVIEW – ZOINKS! – NOT TO BE MISSED
  • REVIEW: Association of Controlled Dreamers
  • REVIEW: Skeleton Crew
  • Full Circle: A Story of Mentorship and Collaboration
  • REVIEW: The Thanksgiving Play
  • CCM’s Transmigration an Energetic Festival of New Works!
  • REVIEW: A Doll’s House, Part 2
  • REVIEW: Our Country’s Good
  • REVIEW: Ripcord
  • REVIEW: St. Nicholas
  • REVIEW: Eurydice
  • REVIEW: Mr. Burns – a post electric play
  • REVIEW: Misery
  • THE DROWNING GIRLS playing through Monday in Northside!
  • REVIEW: Jalz
  • REVIEW: The Complete Works of William Shakespeare (Abridged)
  • FRINGE REVIEW: One More Bad Thing
  • FRINGE REVIEW: The Mountains Did Quake, The Hillsides Did Tremble
  • FRINGE REVIEW: of Monster Descent
  • REVIEW: Noises Off
  • Monday Matinee 5.7.18 – This Week in Cincinnati Theatre
  • REVIEW: A Great Wilderness
  • REVIEW: Ken Ludwig’s Treasure Island
  • Monday Matinee 4.23.18 – This Week in Cincinnati Theatre
  • REVIEW: Cat on a Hot Tin Roof
  • REVIEW: Sooner/Later
  • REVIEW: Red Velvet
  • REVIEW: Transmigration 2018
  • REVIEW: Buried Child
  • REVIEW: The Pillowman
  • REVIEW: The Humans
  • REVIEW: Poor Behavior
  • REVIEW: The Color of the Leaves
  • REVIEW: The House
  • REVIEW: The Earth is Flat
  • REVIEW: The Curious Incident of the Dog in the Night-Time
  • REVIEW: Dracula
  • REVIEW: This Random World
  • REVIEW: Frankenstein
  • REVIEW: Hamlet
  • REVIEW: Typhoid Mary
  • REVIEW: Guest Artist
  • REVIEW – Cannibal Galaxy: A Love Story
  • REVIEW: A Midsummer Night’s Dream
  • THEATER OF WAR Opens a Dialogue about the Impact of Battle on Soldiers and Their Families
  • REVIEW: This Is Our Youth
  • FRINGE REVIEW: Invisible Girl
  • FRINGE REVIEW: Home
  • FRINGE REVIEW: Gen & Mabel
  • FRINGE REVIEW: God of Obsidian
  • FRINGE REVIEW: Balls of Yarns
  • FRINGE REVIEW: Busted Bumpers and Other Metaphors
  • FRINGE REFLECTION: Is That All There Is?
  • FRINGE REVIEW: The Disappearance of Nicole Jacobs, Part 1 – The Sister
  • FRINGE REVIEW: Pet Fish Are Made For . . .
  • I’m Feeling Fringe-y
  • REVIEW: Erma Bombeck – At Wit’s End
  • REVIEW: Master Harold and the Boys
  • REVIEW: On Golden Pond
  • REVIEW: Bloomsday
  • REVIEW: A Raisin in the Sun
  • REVIEW: All the Roads Home
  • REVIEW: Rabbit Hole
  • REVIEW: Jane Eyre
  • REVIEW: When We Were Young and Unafraid
  • REVIEW: This Wide Night
  • REVIEW: Her Naked Skin
  • REVIEW: Summerland
  • REVIEW: 26 Pebbles
  • REVIEW: Dragon Play
  • REVIEW: A Christmas Carol
  • REVIEW: The Second City’s Holidazed and Confused Revue
  • REVIEW: The Diviners
  • REVIEW: Ma Rainey’s Black Bottom
  • REVIEW: Jitney
  • REVIEW: The Elephant Man
  • REVIEW: Brownsville Song (B Side for Tray)
  • REVIEW: Romeo and Juliet
  • REVIEW: Disgraced
  • REVIEW: The Road Through Damascus
  • REVIEW: The Diary of Anne Frank
  • REVIEW: A Prayer for Owen Meany
  • REVIEW: The Legend of Georgia McBride
  • REVIEW: Slut Shaming
  • REVIEW: Thom Pain
  • REVIEW: Horizons of Gold
  • It’s Opening Night . . .
  • Cincinnati LAB Theatre’s 2016 Festival of New Works Coming in August
  • REVIEW: The Fisherman’s Wife
  • REVIEW: The Star Spangled Girl
  • FRINGE REVIEW: The 4th Graders Present an Unnamed Love-Suicide
  • FRINGE REVIEW: My Left Teeth
  • FRINGE REVIEW: The Gospel of Fat Kathy
  • FRINGE REVIEW: FURLESQUE
  • FRINGE REVIEW: We Did It, Girl!
  • FRINGE REVIEW: Cessna
  • FRINGE REVIEW: Naked Strangers
  • FRINGE REVIEW: The Midnight Express
  • WRECKED: A Play Reading That Did Me In
  • REVIEW: Bad Dates
  • REVIEW: Satchel Paige and the Kansas City Swing
  • REVIEW: The Shape of Things
  • REVIEW: Mothers and Sons
  • REVIEW: Annapurna
  • Still Time to See EQUUS
  • Transmigration 2016: Another Successful Festival
  • REVIEW: To Kill a Mockingbird
  • Local Director to Stage EQUUS at Miami-Hamilton
  • REVIEW: Emma
  • REVIEW: Begotten
  • REVIEW: Miss Julie
  • REVIEW: Betrayal
  • REVIEW: Ah, Wilderness!
  • REVIEW: The Revolutionists
  • REVIEW: The Glass Menagerie
  • REVIEW: Prelude to a Kiss
  • REVIEW: Native Gardens
  • REVIEW: Grounded
  • REVIEW: The Realistic Joneses
  • REVIEW: Mockingbird
  • REVIEW: This Is Our Youth
  • REVIEW: A Christmas Carol
  • REVIEW: The Aliens
  • CCM Drama Hosts Play Reading Series
  • REVIEW: Relatively Speaking
  • REVIEW: Steel Magnolias
  • REVIEW: The Mystery Plays
  • REVIEW: Mad River Rising
  • REVIEW: The Norwegians
  • REVIEW: Buyer and Cellar
  • REVIEW: Sex With Strangers
  • Frankie and Johnny in the Clair de Lune
  • REVIEW: Luna Gale
  • Monthly Matinee: September 2015
  • Cincinnati LAB Theatre Promotes Collaboration and New Works
  • REVIEW: Lysistrata
  • REVIEW: ONE MAN, TWO GUVNORS
  • FRINGE REVIEW: Love and Information
  • FRINGE REVIEW: Fixate
  • FRINGE REVIEW: Occupational Pleasures
  • FRINGE REVIEW: Shirtzencockle
  • FRINGE REVIEW: Shelter
  • FRINGE REVIEW: Mouthy Bitch
  • REVIEW: Circle Mirror Transformation
  • REVIEW: Three Days of Rain
  • REVIEW: Outside Mullingar
  • Five Reasons to See VANYA, SONIA, MASHA, & SPIKE
  • REVIEW: You’re Welcome: A Cycle of Bad Plays
  • REVIEW: Taking Shakespeare
  • REVIEW: Xavier’s Spring Awakening
  • REVIEW: Death and the Maiden
  • REVIEW: Race
  • Know Theatre’s SERIALS Adds More Intrigue to the Concept
  • BIRD BRAIN is a Charming Must-See
  • Five Thoughts About THE TAMING OF THE SHREW
  • HEARTS LIKE FISTS Now Playing at Know Theatre
  • REVIEW: Buzzer
  • REVIEW: Detroit ’67
  • REVIEW: Peter and the Star Catcher
  • Transmigration 2015 – Adventurous Theatre
  • REVIEW: Vanya and Sonia and Masha and Spike
  • Five Things I Learned From CSC’s “Hamlet”
  • Still Seats Left for Tonight’s Opening of “Every Christmas Story Ever Told (and Then Some)
  • A Klingon Christmas Carol – Special Pricing Tonight!
  • One More Chance to See “The Crucible” on Sunday
  • Looking Forward . . .
  • Klingons love theatre, and so do you!
  • Local Schools Producing Classic Theater This Fall
  • See “Light Sensitive” This Weekend
  • Good Will Hunting
The Sappy Critic

REVIEW: Buyer and Cellar

Comments Off on REVIEW: Buyer and Cellar

buyercellar

This is a show I’m having trouble letting go of even a day later.

I wasn’t prepared, I guess.  I had heard BUYER AND CELLAR was a really funny show about a guy left in charge of Barbara Streisand’s collection of souvenirs.  I was expecting light comedy; instead I found myself deeply moved by this fascinating piece of drama.

Nick Cearley, a local boy made good, stars as Alex More.  Alex is gay, an actor, and struggling.  He is given an opportunity to work for Ms. Streisand in an unconventional role . . . and I won’t give anything away but it is hilarious, preposterous, and quite possibly the most emotionally stirring thing I’ve seen in some time.

As Alex and “the lady of the house” develop a relationship, I found myself overwhelmed with sadness.   Interestingly paralleled is the lonely existence of Alex’s job in the cellar along side the isolation fame brings with it.  I’m tearing up writing this review right now, actually, just thinking about how lonely stardom can be.

The script by Jonathan Tolins is awe-inspiring. It’s smart, witty, very funny . . . and again unexpectedly insightful.  Its actually quite brilliant – and for me, at least, heart-wrenching.  Cearley’s performance is pitch-perfect, understated but not boring, full of energy but not frenetic.  I can’t say enough good things about his timing, his presence, and the level of connection I felt with him.  You can feel the genuine warmth of director D. Lynn Myers at work behind the scenes, keeping the pace, allowing her actor his freedom, but gently guiding him along throughout the 110 minute monologue.  This play is a work of art.

I don’t expect that any of the other reviewers in town will have the same personal, emotional reaction to this show.  Maybe?  I doubt many other audience members will either.  I mean, it’s not dark or dreary in anyway and its really not all that sad.  But for me, BUYER AND CELLAR is as deep and thoughtful and even as haunting a show as I’ve seen in some time.

Ensemble Theatre of Cincinnati typically brings challenging and provocative plays to its stage.  And its done it again – even in what I thought was going to be a fluffy comedy about Barbara Streisand.  Go see it.

BUYER AND CELLAR runs through November 1st at Ensemble Theatre of Cincinnati.  DO NOT MISS THIS ONE.

 

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Tumblr (Opens in new window)

Related

Tags: buyer and cellar, ensemble cincinnati, featured, nick cearley