• REVIEW: To Kill A Mockingbird – Broadway Across America Cincinnati
  • BROADWAY REVIEW: “Take Me Out”
  • Doubly Great – I Shall Not Be Moved & Your Negro Tour Guide
  • REVIEW: Clybourne Park
  • REVIEW: Fortune
  • REVIEW: Too Much Light Makes the Baby Go Blind
  • REVIEW: Lady Windermere’s Fan
  • FRINGE REVIEW: seXmas Cards
  • REVIEW: The Wolves
  • FRINGE REVIEW – ZOINKS! – NOT TO BE MISSED
  • REVIEW: Association of Controlled Dreamers
  • REVIEW: Skeleton Crew
  • Full Circle: A Story of Mentorship and Collaboration
  • REVIEW: The Thanksgiving Play
  • CCM’s Transmigration an Energetic Festival of New Works!
  • REVIEW: A Doll’s House, Part 2
  • REVIEW: Our Country’s Good
  • REVIEW: Ripcord
  • REVIEW: St. Nicholas
  • REVIEW: Eurydice
  • REVIEW: Mr. Burns – a post electric play
  • REVIEW: Misery
  • THE DROWNING GIRLS playing through Monday in Northside!
  • REVIEW: Jalz
  • REVIEW: The Complete Works of William Shakespeare (Abridged)
  • FRINGE REVIEW: One More Bad Thing
  • FRINGE REVIEW: The Mountains Did Quake, The Hillsides Did Tremble
  • FRINGE REVIEW: of Monster Descent
  • REVIEW: Noises Off
  • Monday Matinee 5.7.18 – This Week in Cincinnati Theatre
  • REVIEW: A Great Wilderness
  • REVIEW: Ken Ludwig’s Treasure Island
  • Monday Matinee 4.23.18 – This Week in Cincinnati Theatre
  • REVIEW: Cat on a Hot Tin Roof
  • REVIEW: Sooner/Later
  • REVIEW: Red Velvet
  • REVIEW: Transmigration 2018
  • REVIEW: Buried Child
  • REVIEW: The Pillowman
  • REVIEW: The Humans
  • REVIEW: Poor Behavior
  • REVIEW: The Color of the Leaves
  • REVIEW: The House
  • REVIEW: The Earth is Flat
  • REVIEW: The Curious Incident of the Dog in the Night-Time
  • REVIEW: Dracula
  • REVIEW: This Random World
  • REVIEW: Frankenstein
  • REVIEW: Hamlet
  • REVIEW: Typhoid Mary
  • REVIEW: Guest Artist
  • REVIEW – Cannibal Galaxy: A Love Story
  • REVIEW: A Midsummer Night’s Dream
  • THEATER OF WAR Opens a Dialogue about the Impact of Battle on Soldiers and Their Families
  • REVIEW: This Is Our Youth
  • FRINGE REVIEW: Invisible Girl
  • FRINGE REVIEW: Home
  • FRINGE REVIEW: Gen & Mabel
  • FRINGE REVIEW: God of Obsidian
  • FRINGE REVIEW: Balls of Yarns
  • FRINGE REVIEW: Busted Bumpers and Other Metaphors
  • FRINGE REFLECTION: Is That All There Is?
  • FRINGE REVIEW: The Disappearance of Nicole Jacobs, Part 1 – The Sister
  • FRINGE REVIEW: Pet Fish Are Made For . . .
  • I’m Feeling Fringe-y
  • REVIEW: Erma Bombeck – At Wit’s End
  • REVIEW: Master Harold and the Boys
  • REVIEW: On Golden Pond
  • REVIEW: Bloomsday
  • REVIEW: A Raisin in the Sun
  • REVIEW: All the Roads Home
  • REVIEW: Rabbit Hole
  • REVIEW: Jane Eyre
  • REVIEW: When We Were Young and Unafraid
  • REVIEW: This Wide Night
  • REVIEW: Her Naked Skin
  • REVIEW: Summerland
  • REVIEW: 26 Pebbles
  • REVIEW: Dragon Play
  • REVIEW: A Christmas Carol
  • REVIEW: The Second City’s Holidazed and Confused Revue
  • REVIEW: The Diviners
  • REVIEW: Ma Rainey’s Black Bottom
  • REVIEW: Jitney
  • REVIEW: The Elephant Man
  • REVIEW: Brownsville Song (B Side for Tray)
  • REVIEW: Romeo and Juliet
  • REVIEW: Disgraced
  • REVIEW: The Road Through Damascus
  • REVIEW: The Diary of Anne Frank
  • REVIEW: A Prayer for Owen Meany
  • REVIEW: The Legend of Georgia McBride
  • REVIEW: Slut Shaming
  • REVIEW: Thom Pain
  • REVIEW: Horizons of Gold
  • It’s Opening Night . . .
  • Cincinnati LAB Theatre’s 2016 Festival of New Works Coming in August
  • REVIEW: The Fisherman’s Wife
  • REVIEW: The Star Spangled Girl
  • FRINGE REVIEW: The 4th Graders Present an Unnamed Love-Suicide
  • FRINGE REVIEW: My Left Teeth
  • FRINGE REVIEW: The Gospel of Fat Kathy
  • FRINGE REVIEW: FURLESQUE
  • FRINGE REVIEW: We Did It, Girl!
  • FRINGE REVIEW: Cessna
  • FRINGE REVIEW: Naked Strangers
  • FRINGE REVIEW: The Midnight Express
  • WRECKED: A Play Reading That Did Me In
  • REVIEW: Bad Dates
  • REVIEW: Satchel Paige and the Kansas City Swing
  • REVIEW: The Shape of Things
  • REVIEW: Mothers and Sons
  • REVIEW: Annapurna
  • Still Time to See EQUUS
  • Transmigration 2016: Another Successful Festival
  • REVIEW: To Kill a Mockingbird
  • Local Director to Stage EQUUS at Miami-Hamilton
  • REVIEW: Emma
  • REVIEW: Begotten
  • REVIEW: Miss Julie
  • REVIEW: Betrayal
  • REVIEW: Ah, Wilderness!
  • REVIEW: The Revolutionists
  • REVIEW: The Glass Menagerie
  • REVIEW: Prelude to a Kiss
  • REVIEW: Native Gardens
  • REVIEW: Grounded
  • REVIEW: The Realistic Joneses
  • REVIEW: Mockingbird
  • REVIEW: This Is Our Youth
  • REVIEW: A Christmas Carol
  • REVIEW: The Aliens
  • CCM Drama Hosts Play Reading Series
  • REVIEW: Relatively Speaking
  • REVIEW: Steel Magnolias
  • REVIEW: The Mystery Plays
  • REVIEW: Mad River Rising
  • REVIEW: The Norwegians
  • REVIEW: Buyer and Cellar
  • REVIEW: Sex With Strangers
  • Frankie and Johnny in the Clair de Lune
  • REVIEW: Luna Gale
  • Monthly Matinee: September 2015
  • Cincinnati LAB Theatre Promotes Collaboration and New Works
  • REVIEW: Lysistrata
  • REVIEW: ONE MAN, TWO GUVNORS
  • FRINGE REVIEW: Love and Information
  • FRINGE REVIEW: Fixate
  • FRINGE REVIEW: Occupational Pleasures
  • FRINGE REVIEW: Shirtzencockle
  • FRINGE REVIEW: Shelter
  • FRINGE REVIEW: Mouthy Bitch
  • REVIEW: Circle Mirror Transformation
  • REVIEW: Three Days of Rain
  • REVIEW: Outside Mullingar
  • Five Reasons to See VANYA, SONIA, MASHA, & SPIKE
  • REVIEW: You’re Welcome: A Cycle of Bad Plays
  • REVIEW: Taking Shakespeare
  • REVIEW: Xavier’s Spring Awakening
  • REVIEW: Death and the Maiden
  • REVIEW: Race
  • Know Theatre’s SERIALS Adds More Intrigue to the Concept
  • BIRD BRAIN is a Charming Must-See
  • Five Thoughts About THE TAMING OF THE SHREW
  • HEARTS LIKE FISTS Now Playing at Know Theatre
  • REVIEW: Buzzer
  • REVIEW: Detroit ’67
  • REVIEW: Peter and the Star Catcher
  • Transmigration 2015 – Adventurous Theatre
  • REVIEW: Vanya and Sonia and Masha and Spike
  • Five Things I Learned From CSC’s “Hamlet”
  • Still Seats Left for Tonight’s Opening of “Every Christmas Story Ever Told (and Then Some)
  • A Klingon Christmas Carol – Special Pricing Tonight!
  • One More Chance to See “The Crucible” on Sunday
  • Looking Forward . . .
  • Klingons love theatre, and so do you!
  • Local Schools Producing Classic Theater This Fall
  • See “Light Sensitive” This Weekend
  • Good Will Hunting
The Sappy Critic

Five Things I Learned From CSC’s “Hamlet”

0
Brent Vimtrup as Hamlet and Bruce Cromer as Claudius in CSC’s 2014 production of Shakespeare’s “Hamlet” January 10- February 8, 2014, directed by Brian Isaac Phillips.  Performances are located at CSC’s Theatre , 719 Race Street in downtown Cincinnati.  Tickets are $22-35 and are available online at cincyshakes.com or by calling the box office 513.381.2273.  Photo by Rich Sofranko.

Brent Vimtrup as Hamlet and Bruce Cromer as Claudius in CSC’s 2014 production of Shakespeare’s “Hamlet” January 10- February 8, 2014, directed by Brian Isaac Phillips.  Performances are located at CSC’s Theatre , 719 Race Street in downtown Cincinnati.  Tickets are $22-35 and are available online at cincyshakes.com or by calling the box office 513.381.2273.  Photo by Rich Sofranko.

After seeing “Hamlet” at Cincinnati Shakespeare Company last night, I toyed with trying to cram as many bad “Hamlet” puns but thought that was cheesy and decided against it.  You know what I mean, things like “There might be something rotten in the State of Denmark, but there’s nothing rotten about this show!”  Or “To be or not to be, to go or not to go!”  But I’m really above that kind of literary tripe.  You know, things like “brevity is the soul of wit” so allow me to be both witty and brief.   I’m about to share with you some “words, words, words.”  Stuff like that.  But really, I won’t be doing that.  Instead, I’d like to tell you five of the things I learned from my trip to Cincinnati Shakespeare Company’s production of “Hamlet.”

1. The Blue Wisp has good food and good music!  I had a pre-show meal with my friend Connie (she had tickets to the symphony so was unable to join me for “Hamlet”) and we were impressed with this jazz club and restaurant.  The musician was a little loud at first, but his blues interpretations of some rock songs got me in the groove.  I found myself moving a little in my seat.  As far as food goes, the chicken tenders appetizer was well worth the (half-)price I paid.  Connie had the Cuban sandwich and a side salad and I had a single patty burger with swiss cheese, bacon, and BBQ sauce on the side.  The best part:  I crossed the street and was in the lobby of CSC.

2. Wright State is producing great new talent.  Zach Schute, a 2012 graduate, is now in his second season with CSC. Justin King, a 2013 grad, is in his debut season.  Both of them were really good in their supporting roles.  And of course it doesn’t hurt that Bruce Cromer has been instrumental in teaching both of them how to act there.

3. I have renewed empathy for people who sit behind me in theaters.  I was seated (for free – thanks to CSC, so I’m absolutely not complaining!) behind a giant column that blocked part my view on some of the action happening in front of the stage on the side and the gentleman in front of me was tall and his head was also in my way for some of the show.  I worked it out, but I will try to be more aware of my height and the poor people behind me in the future.

Brent Vimtrup as Hamlet pictured with the players in CSC’s 2014 production of Shakespeare’s “Hamlet” January 10- February 8, 2014, directed by Brian Isaac Phillips.  Performances are located at CSC’s Theatre , 719 Race Street in downtown Cincinnati.  Tickets are $22-35 and are available online at cincyshakes.com or by calling the box office 513.381.2273.  Photo by Rich Sofranko.

Brent Vimtrup as Hamlet pictured with the players in CSC’s 2014 production of Shakespeare’s “Hamlet” January 10- February 8, 2014, directed by Brian Isaac Phillips.  Performances are located at CSC’s Theatre , 719 Race Street in downtown Cincinnati.  Tickets are $22-35 and are available online at cincyshakes.com or by calling the box office 513.381.2273.  Photo by Rich Sofranko.

4. Great actors are great actors whether they are performing American classics, Dickens, or contemporary comedy, and Elizabethan masterpieces.  Bruce Cromer, who I just saw own the role of Ebenezer Scrooge at the Playhouse in the Park, did a tremendous job as “Claudius”.  I understood who the character was because of his performance in spite of my ignorance (and dislike) of Shakespearian language.  Sara Clark (“Ophelia”) was just in “Every Christmas Story Ever Told” and was brilliant in both that show and this dramatic role. Same with Brent Vimtrump, who was just marvelous as John Proctor in the Crucible.  His chameleon like ability to transform into a cocky New England farmer and the maniacal genius of Hamlet is awe-inspiring.  Great actors are great actors.  Period.

5. I need to see more classic theatre.  “Hamlet” is regarded by many as the “greatest play ever written.”  I don’t know that I’ll ever be a William Shakespeare fan-boy but I’m going to keep going and learning and embracing the classics — especially if they are performed with as much talent and skill as the company from Cincinnati Shakespeare.

A few other random thoughts:  Sherman Fracher as “Gertrude” was fun to watch.  The entire cast was great, but there is something about her energy that drew me in.  The tech (lighting, sound design, costumes) all came together seamlessly to tell this classic story in a way that even without fully understanding the dialogue I was able to follow the plot.  I am vaguely familiar with “Hamlet,” though I don’t think I’ve ever read it so I needed help; the company, the tech folks, everyone worked together to help folks like me figure it out without Cliff’s notes in front of me.  I also appreciate the energy at CSC.  There are obviously a lot of regulars (season subscribers) especially on opening night.  Everyone – young and old – seemed to be having a great time.  It was certainly an enjoyable night at the theatre and I’m excited to do it again and soon!

“Hamlet” runs until February 8th .  Tickets are going fast and are available here or by calling the Box Office at 381-BARD.  Up next for CSC is the “Rosencrantz and Guilderstern Are Dead” featuring the same cast and set as “Hamlet.”  It should be hilarious!

Share this:

  • Click to share on Twitter (Opens in new window)
  • Click to share on Facebook (Opens in new window)
  • Click to email a link to a friend (Opens in new window)
  • Click to share on Tumblr (Opens in new window)

Related

Tags: brent vimtrup, brian phillips, bruce cromer, cincinnati shakespeare company, hamlet, justin king, sherman fracher, zach shute

Leave A Reply Cancel Reply