REVIEW: A Doll’s House, Part 2
You can always count on ETC to stay cutting edge in which plays are chosen. A DOLL’S HOUSE, PART 2 at Ensemble Theatre of Cincinnati is reportedly the…
Read More
REVIEW: Our Country’s Good
One of the difficulties of staging plays in an college-level acting program like UC-CCM is making sure that the students are getting a chance to learn their craft…
Read More
REVIEW: In the Heights
There’s nothing wrong with the Playhouse’s production of IN THE HEIGHTS. The production is actually quite good, but I’m not fond of the show itself. So, I’m not…
Read More
REVIEW: Ripcord
There may not be two more different actresses on stage than Dale Hodges and Pamela Myers. Not in terms of talent, of course, as their resumes speak for…
Read More
The Pat and Julie Show Delights Again
A few things you can always expect from Patricia Linhart’s faculty recital: an edible treat, a gorgeous gown, and a rollicking good time. Even through the snowpocalypse this…
Read More
REVIEW: The Turn of the Screw
I am certainly not an opera afficiando; but I have seen a whole lot of theatre in my time. I don’t understand the nuance of the art form…
Read More
REVIEW: Cincinnati King
The story of King Records in Cincinnati is probably way too big for one play to hold, but gosh golly does writer/director KJ Sanchez go for the gusto…
Read More
REVIEW: Godspell
I sat there in the middle of the first act thinking to myself that either Katie Johanningman is a flipping genius or completely insane . . . but…
Read More
REVIEW: St. Nicholas
I don’t really consider myself a theatre critic; I know, that seems strange given that right up there above this text it says “REVIEW” in big, bold capital…
Read More
REVIEW: Eurydice
Sarah Ruhl is a playwright with a particular style; she tells stories in unconventional ways with specific devices that either work well or become a burden on the…
Read More